Following My Heart’s Footsteps

Sunday, December 16th, 2007

“It is, I now understand, a story that has no clear beginning or end, but, like the blood itself, keeps coming back around, full circle.

In each heart, at one time, two motions, the spent blood returning even as the renewed rushes out.

At one time, in each heart - yours, mine, at this very instant - two leanings, two dispositions, two emotions: the urge to go to the very edges of our existence followed by that dire sensation of having gone too far, of being way out on a limb and needing, at all costs, to get back home.

In each heart, at one time, both thrust and thrust’s acceptance, an ongoing, self-contained act of inner coition that at once mimes and moves the outward one to its perfectly mindless redundancy. More and more now I know the outer world to be a recapitulation of our own inner biology.

Outside, the city slumbers along with my brain. I’ve just doubled back on it, followed my heart’s footsteps back around to what I’d taken such pains to escape, found myself standing before some late-night, domino-lit office tower, dead migratory birds strewn at its base.

Where, then, to begin? At what point in the heart’s motion to intercede without disrupting that ongoing simultaneity? It has a mind of its own, the heart, for which our minds have yet to find the words.”

- From “A Man After His Own Heart” by Charles Siebert

 
Posted by Picasa

Translucence of Life

Sunday, December 9th, 2007

“Seeing clearly, with no judgement, with affection, causes a certain transformation - or perhaps not exactly a transformation, but a unified and selfless focus on the translucence of life. A certain luminosity shines through even the darkest moments, and this makes us think that there is beauty in tragedy. Why is this luminosity more evident in sadness than in joy? It isn’t, or at least it isn’t necessarily so. Maybe the vulnerability of the self, the erosion of the ego, which is usually experienced when fully facing into sadness, is a factor. Often, in joyful moments, we attach ourselves to the object of joy, thus impeding translucence and luminosity. More often still, in communal experiences of ‘joy’, we merely expand, or project ourselves into a larger psychic arena.”

- First published in ‘Miroslaw Balka: dig dug dug’, Exhibition catalogue, The Douglas Hyde Gallery, Dublin, 2003

 
Posted by Picasa